M. Carugo - Pioppaia

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

M. Carugo's eclecticism and experimental approach are so advanced that, in this view, he adopts a completely abstract style. In this work, the representation of tangible reality means reconstructing the world according to geometric and rational principles. There is therefore a complete adherence to the mechanomorphism of the Cubists, but also to the dry, essential magical realism of Carlo Carrà or Ottone Rosai. Carugo combines all of this with the ties to his homeland. Thus, his small villages become compositions of pure shapes and colors in which the lines of the trees and houses create a geometric rhythm.

As we can see from an analysis of his works, the artist M. Carugo stands out as the author of a highly original landscape production, distinguishing himself for a tendentially experimental attitude, which has led him, in his works, to transfigure reality into expressionist and abstract languages.

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