Cinzio Cavallarin - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

In this "Still Life," Cinzio Cavallarin seems intent on remaining true to the sensory experience, yet his representation exerts a remarkable expressionist synthesis on reality. Objects are reduced to the pure essence of form and color. But this reduction is controlled by a Cubist-inspired geometric reconstruction. Thus, the composition becomes a rational arrangement of lines and geometric solids, whose fields are colored in a compact and uniform manner.

Cinzio Cavallarin was born in 1942 in Chioggia, but lives and works in Prato. His artistic production draws on various influences from the contemporary avant-garde, from Abstraction to Cubism, from Informalism to Expressionism.

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