Costs - Still Life

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

The painter Costi's interpretation of the still life genre is resolved through a pictorial style balanced between realism and an expressionistic rendering of the subject. Costi, in fact, is faithful to the sensory material before his eyes and presents it to us as it is, in its pure essentiality. However, the power of this representation, stark and genuine, is fueled by the artist's pictorial style, which, paradoxically, transforms reality itself in an expressionistic manner. Indeed, his painting is highly structural, synthesizing objects through color. The fruit, the vase of flowers, and the other objects are rendered with broad strokes and washes of color that highlight their essentiality, in a pictorial language vibrant with existentialism. What emerges is a stark and minimal image, yet extremely alive and dynamic, thanks in part to the effect of the light striking the scene.

The artist Costi, as we can see from an analysis of his works, stands out for a pictorial style that, in the rendering of sensitive data, simultaneously enhances the expressive potential of color and pictorial application.

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