Davide Avogadro - Group No. 1

The portrait is one of the most widespread artistic expressions in the field especially
of painting, but also of sculpture, in all eras. The portrait is, first of all
place, a description of the subject represented, an attempt to bring back to
his physiognomy and his individual characteristics truthfully and naturally.
With the progressive evolution of artistic research towards physiognomic description
of the subject was also accompanied by the psychological one. Therefore the portrait, in
centuries, it has also become a means of introspective investigation on the subject, on the
his character and his state of mind. They intervened, in favor of this type
of investigation, the processes of abstraction brought about by contemporary art.

Davide Avogrado has focused his research on the reproduction of the
human figure, in single or group portraits as in this case. Looking at the
from his works we can understand how David's main interest
Avogadro is to transfer life into his paintings with a sensitivity
exquisitely contemporary. This work is nothing more than a snapshot, in
in which the artist captures an absolutely realistic image. The photographic cut
of the shot gives us a dynamic scene, in full swing, in
which Avogadro's expressive, moving brushstroke intervenes to eliminate
any sense of staticity and manages to render the complexity of the view
human. The technical expertise of Davide Avogadro concludes the picture, managing to
depict subjects in a soft naturalism.

Davide Avogadro was born in Vigevano in 1968 where he lives and works. He has
He obtained his diploma at the Novara Art High School and the Academy of Fine Arts.
of Urbino. Since 1995 he has taught painting techniques and chalcography at the Institute
of Roncalli Arts and Crafts in Vigevano. He was one of the protagonists of the last
Cairo Communication Award 2003 at the Palazzo Della Permanente in Milan,
so much so that the current success with the public and critics began from there.
With other young painters exponents of the new Italian figuration, from Matteo
Bergamasco to Roberto Coda Zabetta, is focusing on portraiture with a cutting edge
dark, on the anxieties and discomforts that characterize contemporary times.

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