Dino Brunori - Allegory

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

In this work, with its decidedly existential character, the style of painter Dino Brunori is characterized by the development of a strongly expressionist language. The artist seeks to go beyond what is perceived by the senses to extrapolate the true essence of reality and communicate it on canvas in a lively and dramatic manner. For this reason, through the application of color, he develops a highly synthesised process that reduces the subjects to dense, material layers of paint, in which the painter's emotion is also the protagonist, conveyed through his agitated gestures. All these elements together constitute the expressionistic power of Dino Brunori's painting. This power is also based on a specific aesthetic choice that reaffirms the dramatic tone of his works, namely, a preference for a marked monochrome of brown tones, from which the images emerge almost with difficulty, establishing a struggle with the pictorial material.

Dino Brunori was a Roman painter, born in 1925 and died in 1999. His pictorial language was always based on a post-impressionist pictorialism through which he developed his quest for a purity of volumes and their interaction in space and light.

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