Duilio Pasquinucci - Maternity

The iconography of motherhood is closely linked to the subject of the Madonna and Child. It is probably one of the most popular iconographies in the history of both Western and Eastern art. The Madonna and Child appears since the dawn of medieval painting and remained a constant subject as long as religious themes dominated artistic production (that is, until the 19th century, when themes inspired by everyday life began to be introduced). It is quite common for contemporary artists to treat the iconography of motherhood without directly linking it to the Christian religion.

As we can see from this painting, the artist Duilio Pasquinucci maintains a balance between figuration and abstraction. The connection between the sensory data and the subject of motherhood is strong, but the execution transcends phenomenal reality. This painter's characteristic brushstroke is dense and thick, creating a perfect material fusion between the two subjects, ideally celebrating the theme of union. The composition is entirely in the foreground and occupies the entire space of the painting, establishing a fluid rhythm. The application is essentially synthetic and structural, exploiting the expressive potential of color in enhancing the three-dimensional qualities of the two figures. The palette is based on brown, slightly golden tones, with references that are more symbolic than naturalistic.

From an analysis of the painting, we can deduce that Duilio Pasquinucci is a painter who achieves a perfect fusion between figuration and abstraction of the subject. His pictorial style begins with a recording of reality, but is distinguished by a strong expressionist influence that fuels the symbolic nature of his works.

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