Enzo Comes - Untitled

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Comes's conception of painting lies somewhere between the sensory reality and the very essence of the subject. Indeed, he uses color to depict his subjects with an extreme naturalism that takes into account every vibration of light and atmospheric variation. At the same time, however, he triggers a process of synthesis whereby the subject's representation becomes symbolic, charged with emotional as well as formal meaning. Comes goes beyond reality to explore the subject of his painting in all its most hidden meanings.

Enzo Comes is a painter originally from Catania. His painting still draws on the sensory world, but he seeks to transcend it with a style of painting inspired by post-impressionism.

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