Ernesto Treccani - Rabbit

Animal depictions in art have ancient origins, even appearing in primitive cave paintings. For religious reasons, various types of animals appear in the works of various ancient civilizations. It was especially in the Middle Ages, within the International Gothic style, that animal depictions became widespread as true life portraits, both within works of art and in notebooks of drawings and sketches. The presence of animals as subjects in art remained constant until the contemporary era.

Ernesto Treccani's artistic language tends to minimize phenomenal reality, but this exercise in reducing sensory data helps the artist go beyond the appearance of things and capture their true essence. What remains is the spiritual and emotional concentration of the depicted figure, with which Treccani seeks to connect, eliminating any formal frills and leaving only an elegant trace to identify the subject. This trace consists of a sinuous line that constructs the image in a nervous and lively manner. This is complemented by color distributed in light, balanced patches.

Ernesto Treccani, a Milanese artist born in 1920 and passed away in 2009, founded the magazine Corrente, which brought together a group of artists including Birolli, Guttuso, Migneco, Sassu, and, later, Cassinari and Morlotti. His first solo exhibition was in 1949. In 1978, he created the Corrente Foundation, a center for studies and cultural initiatives, and especially for archiving documents relating to the Realism movement.

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