Eso Peluzzi - Mombaruzzo d'Acqui

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

Eso Peluzzi's works always feature intimate and unassuming views. A few houses and bare trees are lost in the solitude of the mountain landscape. Peluzzi's work is grounded in a lyricism that seeks the sublime in small, remote settings. Formally, this poetic pursuit relies on a certain degree of subject synthesis, demonstrating Peluzzi's influence on a certain post-Impressionist influence, which he nonetheless maintains in his highly naturalistic approach.

Eso Peluzzi was born in Cairo Montenotte in 1894 and passed away in Moncherio in 1985. He trained at the Accademia Albertina in Turin and exhibited his work for the first time in 1922 at the Promotrice in Turin. In 1923, he participated in the 7th Autumn Art Exhibition in Como. From 1926 to 1948, he participated in the Venice Biennials and the Quadrennials in Rome. He also participated in Italian exhibitions in Baltimore, Berlin, Hamburg, Vienna, Leipzig, Budapest, and Paris. He spent a long time in Montechiaro d'Acqui, where he found inspiration for his mountain landscapes.

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