F. Brindani - Untitled

The subject of the equestrian monument, or the man on horseback, has very ancient origins. It dates back to the classical world, the earliest example of which is the "Rampin Knight," and it had a fundamental political importance for Roman art. Generally, these are sculptures in the round, but there are also cases where this subject appears on painted supports. The theme of the man on horseback has pervaded the entire history of art, not only Western art, and has become a subject of research for contemporary artists such as Marino Marini, Arturo Martini, and Aligi Sassu.

The work has a strong emotional impact, starting from the compositional concept. The scene is conceived as if it were a photograph taken at a random moment during a race. The athlete's pose is broken down with the intention of realistically capturing the scene without subjective filters. The pictorial execution also respects this intention, with a dynamic approach that references the speed of the action and the complexity of the human visual field.

F. Brindani is a painter with excellent technical training. His language is figurative, and his work focuses on realistic pieces and genre scenes, treated with a certain pictorial complexity.

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