Fernanda Palvarini - In the game of anthuriums

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Painter Fernanda Palvarini's style is distinguished by an excellent drawing technique. As we can see in all her works, the most salient aspect of her representation is its authenticity. First and foremost, the flowers, the absolute protagonists of this painter's work, are depicted in every detail and perfectly characterized in terms of volume and color. The interplay of light and shadow is also remarkable, further enlivening her paintings and heightening their realism. In this work in particular, Fernanda Palvarini uses a more synthetic line in pursuit of intense pictorial vibrations. The decontextualized space of the background is imbued with a dense atmosphere.

Fernanda Palvarini is an artist originally from Brescia. She has exhibited her work in numerous important exhibitions, both nationally and internationally. Among the many, she has held exhibitions at Orzinuovi Castle, the Hotel de Paris in Monte Carlo, in Dallas, New York, Lugano, Zurich, and at the Casinos of Sanremo and Monte Carlo. In 2004, she received the Oscar for "Painting in the World Award" in Santo Domingo. Her work has been reviewed by critic Vittorio Sgarbi, who called her "an heir to French Expressionism." In 2007, she received honorary citizenship of the city of Ragusa. In 2013, she donated one of her paintings to Pope Francis.

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