Faustin - Pier with fishermen

Social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso. This work by Faustin also falls within this trend, and his favorite subjects, fishermen, are depicted through his original and personal artistic language, which combines contemporaneity with an authentic and sincere description of a typical popular reality.

Faustin's artistic production fits perfectly into a pictorial movement that combines realist themes with a predominantly expressionist language. Indeed, if the subject matter is the world of work and the working classes, the style calls for a synthetic interpretation of reality. In a two-dimensional space, everything is simplified to transfigure reality in an expressive and symbolic sense. The process of abstraction, therefore, is conducted by the painter to extract the essence from sensory data. The subject is thus resolved in a juxtaposition of chromatic zones, with vivid and brilliant colors, in which the volume of the subjects, shot from behind and from afar, is lost. In this way, Faustin creates an image charged with primary, immutable values, thanks to the expressive essentiality and chromatic strength. The compact application of color, reminiscent of Gauguin's à plat, is achieved through dense and full-bodied brushstrokes. The night light pervades the entire scene, further crystallizing it into a timeless dimension. This metaphysical crystallization is also expressed in the compositional structure of the work, which is entirely horizontal.

The artist Faustin, as we can see from an analysis of this work, is the protagonist of a highly original pictorial production. His favorite subjects are linked to social and popular themes, which he represents with a highly original style. His language is fundamentally an expressionism based on color, and in his compositions we find a mysterious and expectant dimension that has something of the metaphysical.

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