Fausto Venezia - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

Fausto Venezia's artistic research is primarily focused on the exaltation of plasticity. From a formal perspective, this translates primarily into a rigorous composition, based on a solid drawing structure that seeks depth. The clean lines of this framework are arranged in a rigorous yet very natural composition. Fausto Venezia's figures appear sharply delineated, in the consistency of their bodies and the volume of their objects. However, the formal exaltation sought by Fausto Venezia does not lead to a cold and objective hyperrealism. Rather, his approach is highly painterly, dynamic with iridescent tones, and this brings his figures to life, vibrant with existential energy. Thus, it can be said that Fausto Venezia's pictorial style is grounded in a profound desire for realism which, combined with a masterful life drawing technique, succeeds in translating onto canvas what the painter sees before his eyes.

Fausto Venezia was born in Benevento in 1921. A figurative artist, he belongs to the neo-verist movement. His many exhibitions include: the Riccione International Exhibition of Figurative Arts, 1966; the Senigallia Painting Prize (1966, awarded a gold medal), the Marina di Ravenna Prize, 1967; the “Bartolini” Painting Prize, 1969 (President of the Republic's Cup); the Contemporary Art Exhibition at the Papessa Gallery, Rome, 1971 (first prize); the “Protagonists of Art” Exhibition, Pompeii, 1973 (gold medal). In 1972, he was awarded the gold medal at the International Contemporary Art Exhibition in Rome. He has held several solo exhibitions, including 1964, Galleria Majestic, Senigallia; 1968, Galleria Puccini, Ancona; 1969, Galleria La Tavolozza, Riccione; 1970, Galleria Il Cavalletto, Rome; 1971, Galleria Mergutta, Pescara; 1972, Galleria Stagni, Rome; 1973, Galleria Musso, Bognanco. His works have been included in collections both in Italy and abroad.

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