Ferrieri - Untitled

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Artist Ferrieri creates these blossoming flowers with a sort of calligraphic synthesis. The execution is based on the expressive qualities of color, and the subject is created with light touches. The result is a representation charged with emotion, its fragility rich with existential vibrations. The composition also contributes to this result, with the large, neutral background almost placing the subject aside.

The artist Ferrieri has a formal language based essentially on color, which indicates his tendency towards the post-impressionist poetics of formal synthesis of the subject through color.

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