Frateantonio - Landscape (Roofs of Rome)
Frateantonio - Landscape (Roofs of Rome)
SKU:AVEN006
Oil, 70x50
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Characteristics
Characteristics
Formato: Medium (40-100cm)
Orientamento: Horizontal
Supporto: Canvas
Soggetto: Historical
Stile: Figurative
Description of the work
Description of the work
Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.
Corrado Frateantonio's pictorial language is distinguished by a kind of realism/expressionism, in which the backgrounds of his works are always characterized by very essential landscapes, constructed on simple lines and rigorous geometries. This character is also respected in this painting dedicated to a Roman view, which in fact stands out for its simplicity: constructed within an accentuated perspective box, the urban landscape proposes a theory of geometric solids, through which the artist can investigate the plastic values proposed by reality.
Corrado Frateantonio was born in Avola in 1941. He followed an artistic family and lived and worked in Sicily and Lazio. He began his artistic career at a young age, first focusing on set design and then on painting. In Rome in the 1960s, he promoted the "Libera Arte" movement, leading a group of skilled artists who expressed new trends in social painting. His paintings captured the essence of Sicily, the dignity of workers, and focused especially on the many social and cultural aspects of his homeland. Frateantonio passed away in May 2011. On the first anniversary of his death, the Avola Municipality remembered him by organizing an anthological exhibition (from 1960 to 2010) in the Convent of San Domenico (Cenacolo dei Domenicani), which has been named after the Maestro since 2014. His works are exhibited in Italy and abroad and are now among the most prized in international collections.
Shipping and returns
Shipping and returns
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