G. Di Biase - The walker

The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the female figure is an expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the female figure has also been a central figure in the new aesthetic concepts brought about by the historical avant-garde, such as Cubism, Expressionism, and Surrealism.

The artist G. Di Biase can be considered a worthy successor to the Expressionist avant-garde. He seeks to transcend what is perceived by the senses to extract the true essence of reality and communicate it on canvas in a lively and dramatic manner. For this reason, the human figure is interpreted in an extremely synthetic manner, with an almost brutal reduction. The surface is completely two-dimensional, with no concessions to spatial depth. The brushstrokes delineate the forms in a tormented and nervous manner. Color is used according to an emotional and spiritual interpretation, without any connection to reality. This exercise in synthesis is so advanced that it almost places Di Biase's works within an informal aesthetic. Indeed, one might even call them brutalist, given the vehemence of the painterly gesture with which the artist creates his works.

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