G. Mariani - Venice

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

Mariani's style is highly recognizable, both in his landscapes and still lifes. Color plays a key role, constructing objects in a fundamentally two-dimensional space where the flattened forms conceal their volume. Mariani, in fact, is primarily interested in the application of color, through which he synthesizes the figures and the space they interact with, using textured brushstrokes charged with dense color. The chromatic fields interlock, revealing a rational order in his exploration of reality. Mariani's interpretation is halfway between an impressionistic immediacy and an expressionist desire for synthesis.

The artist G. Mariani stands out for his research into traditional genres such as landscape and still life, through which he has developed a style tending towards post-impressionism with a strong material component.

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