G. Mattei - Untitled

Flowers as an independent subject began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world, as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers were depicted not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also became a way of interpreting reality.

Mattei's aim is to offer a simplified interpretation of reality, seeking new values ​​of purity in representation. For this reason, his painting style can be described as naïve, yet it expresses itself in a highly classical and traditional manner. His language, in fact, is essentially figurative and finds its broadest expression in the traditional genres of landscape and still life. However, the artist manages to infuse tradition with his originality and personal touch, precisely through his pursuit of purity of representation that defines his style. Concretely, this is expressed in a fluid technique that resolves subjects with a few, quick but incisive strokes. Objects almost dematerialize in the lightness of the glazes. Even from a chromatic standpoint, the artist favors decidedly pale tones, full of light.

Both in his choice of subjects and his execution method, we can say that the artist G. Mattei moves within the realm of classical and figurative art, yet displays a certain naïve approach to his compositions. His desire to achieve lightness and simplicity in representation is evident, with the aim of imbuing his artwork with primordial values ​​of purity and innocence.

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