G. Sanfilippo - Penelope Telemachus and the Two Watchers

The subjects of Sanfilippo's works are conceived through a process of citation. In the phenomenology of artistic movements, citation consists of reproposing an image from the past, from the historical-artistic tradition, recontextualizing it according to the artist's sensibility. Citation has been and is transversal to various contemporary artistic movements, such as Surrealism, Metaphysical Art, and Anachronism.

This inspiration, however, is developed in Sanfilippo through an original recontextualization, consistent with a contemporary aesthetic. Indeed, the works are conceived within an abstract and complex space. On this complex surface, the artist proceeds with his pictorial intervention, presenting his archaic and primitive figures, but in a completely new context that demonstrates his connection to a symbolic influence typical of Informal Art and Abstract Expressionism.

The artist G. Sanfilippo stands out for his citationist pictorial production in which he recontextualizes works of the past according to an expressionist and abstract poetics.

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