Gian Bart - Venice

The urban landscape was already a popular subject in the Middle Ages and the Modern Age, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering how, immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, the crowds, the traffic, and typically bourgeois settings. In this Venetian view by Gian Bart, the everyday aspect prevails, the frank and sincere realism of everyday life in a city setting. Human presence is ignored, and the artist lets the buildings speak for themselves, protagonists of a narrative imbued with values ​​of purity and simplicity.

Artist Gian Bart's aim is to offer a simplified interpretation of reality, seeking new values ​​of purity in representation. For this reason, his painting style can be described as naïve, yet expresses itself through a highly classical and traditional approach. His language, in fact, is essentially figurative and finds its broadest expression in the traditional genre of landscapes, even when depicted in perspective. However, the artist manages to infuse tradition with his originality and personal touch, precisely through his pursuit of purity in representation that defines his style. Concretely, this is expressed in a loose and concise technique, which constructs subjects with a few essential yet incisive lines. The application of color is rich in gesture, and the entire landscape is charged with existential vibrations. The chromatic range focuses on very warm tones that create a striking contrast with the pale colors of the water and the dome in the background.

As we can see from the analysis of this work, Gian Bart is a substantially expressionist artist who, however, tends to reduce reality to a schematization of colors and lines in order to achieve values ​​of purity in the representation of reality.

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