Giancarlo Nigri - Before the storm in the Cremona area

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

In this work, Giancarlo Nigri demonstrates his post-Impressionist maturity. The composition is entirely constructed through color, and the brushstrokes have a notable structural value. The painter's aim is not to capture the tangible details of the landscape, but to capture its very essence, its substance. To this end, the brushstrokes, rich in texture, intervene, which, despite the essentiality of the representation, breaks down the space into different planes, recording the vibrations of light and life on the subject. Thus, within a substantially two-dimensional surface, flattened in the foreground, the objects are constructed by the painter with broad, dense brushstrokes, and the trees and houses in the background are structured according to geometric principles inspired by Cézanne. Chromatically, the entire surface of the work is coordinated with a balanced palette of references and correspondences.

Giancarlo Nigri is an artist devoted to fairly traditional genres, such as landscapes, still lifes, and floral compositions. His style tends toward post-impressionism, with some influence from the French artist Paul Cézanne.

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