Gianfranco Gattamelata - The Musicians

The painting can be defined as a genre scene, that is, the depiction of an episode of everyday life that, apparently, lacks any significant element. These types of domestic subjects were long considered minor and only began to spread in Western art starting in the 17th century. Only with the development of 19th-century realism did everyday subjects become considered as important as historical or religious ones. In Gianfranco Gattamelata's artistic production, however, the genre scene, set in an intimate, bourgeois setting, loses all realist connotations, transfigured into an "other" dimension by the abstract, post-Cubist language typical of this painter.

This work demonstrates the profound post-Cubist influence on Gianfranco Gattamelata's artistic language. First, we note a high level of subject synthesis, rendering the scene practically surreal, even though its themes are drawn from everyday life. This synthesis occurs through clear lines, with a frenetic and broken rhythm, giving the work a remarkable expressionistic force. The sensory data are reconstructed with a distinctly geometric style, but the complexity of the work lies, in particular, in the artist's conception of space. The environment appears entirely two-dimensional, and the representation of the subject is based on a multiplicity of directional lines and overlapping perspective points. In this space, Gattamelata arranges the objects in fragmentation, taking the concept of Cubist mechanical reconstruction to its extreme. This fragmentation allows the artist to create a close dialogue between chromatic zones, in equilibrium or in contrast on the work's surface.

Gianfranco Gattamelata is an artist originally from Trento. His pictorial production is extremely original and interesting. Indeed, he has developed his own personal style, grounded in a profound meditation on Cubist poetics. His work is distinguished by genre scenes depicted through a remarkable process of abstraction, achieved through a geometric reconstruction of reality and a chromatic balance within the overall composition of the work.

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