Giorgio De Chirico - The Dioscuri

The iconography developed in this work addresses a crucial concept in De Chirico's poetics, one that is also fundamental to the development of his metaphysical theses: the concept of a "return to origins." For De Chirico, contemporary art should not create new images; rather, the artist should select them from the past, as if it were an ideal museum, arrogating to himself the freedom to rework them into creative compositions. In particular, the subject of this work is inspired by a conscious classicist quotation. The artistic language is therefore inspired by classical antiquity, both Greek and Roman. All this translates into an execution whose primary objective is mimesis, that is, the human need to imitate and reproduce nature, that which surrounds us. Along with naturalistic rendering, the other fundamental concept, according to the parameters of Classicism, is that of the unity of the work of art, through a harmonious correspondence between all its parts.

Classicist quotationism is a fundamental component of Giorgio de Chirico's aesthetic. Often, in keeping with the dictates of Metaphysical Art, classical or archaeological references are placed in an unusual context, creating a disorienting effect. In this case, we find ourselves faced with a drawing in which the artist has imprinted his own trademark, namely the presence of an archaic element drawn from a gallery of images from the past. The execution, cold and uninstinctive, is also consistent with De Chirico's rationalism. However, in this lithograph, we can see a more dynamic style, with the artist employing a highly dynamic hatching style, especially in the rendering of the landscape.

Giorgio De Chirico, born in Volos, Greece, in 1888, died in Rome in 1978. He is the founder of Metaphysical painting. De Chirico reclaims images that already exist, familiar to the collective imagination. But he creates an effect of estrangement through the process of displacement—the sudden appearance of an object outside its usual context—or condensation, the fusion of multiple objects into a single entity. Metaphysical painting is also characterized by the illusory nature of its images.

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