Giorgio Piotti - Sunset in New York

The work is an abstract composition. "Abstract" derives from the Latin term "abstrahere," which means to extract or draw out. The process of abstraction, in fact, consists of eliminating the particular and individual aspects of an object to derive a universal concept. From Kandinsky to Mondrian, from Pollock to Mirò, many painters have pushed the process of abstraction to the limit in their works, paradoxically creating pure forms and colors that do not exist in nature, or translating their emotions and instincts into images.

This work is truly exemplary for understanding the abstract language within Giorgio Piotti's artistic research. This painter's perception and understanding of reality makes no concessions to biomorphism, to organisms that might shift the aesthetic of the work into a surreal dimension. Everything, in fact, is translated into pure forms and pure colors with absolute geometric rigor. In short, reality is reconstructed by Giorgio Piotti through regular plane figures and straight lines. It goes without saying that in this approach there may be a direct reference to Mondrian and the Dutch Neoplastic School. Compared to these, however, Giorgio Piotti leans toward a more iconic and absolutist vision of the geometric figure, presented in various combinations, of shapes and colors floating in neutral spaces.

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