Giorgio Vicari - Untitled

Surrealist aesthetics emerged around the 1920s, encompassing all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

The painting is a typical example of the figurative language developed by the painter Giorgio Vicari. In this context, the painter effortlessly combines surrealism with expressionist elements. Formally, surrealism expresses itself in the creation of a dreamlike dimension through an ostentatious, completely objective figurative language. In many of Vicari's works, the subjects moving in this world are formed by a sort of intertwining plant life and unleash their expressive power through their elongated, sinuous forms.

Giorgio Vicari was an artist active in the Mantua area in the 1960s and 1970s. His work is characterized by surrealist compositions and solitary, metaphysical landscapes. He is an artist who loves to evoke visions of the fantastic and the grotesque. His iconography is highly elaborate and expresses a profound creative flair that also draws on literary references. His language tends to be figurative, underpinned by a vibrant pictorialism.

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