Giovan Francesco Gonzaga - Ulysses' Steed

A noble animal, a symbol of beauty and harmony, the horse has repeatedly been a prominent subject in the history of art. Since the fourteenth century, its presence has been obligatory in battle scenes and equestrian monuments, and painters have always faced a challenge in depicting it with anatomical precision and naturalistic rendering. The painter Giovan Francesco Gonzaga focused his research precisely on the equestrian theme. In his work, both pictorial and graphic, he developed the figure of the man on horseback according to various historical influences and a variety of genre scenes. In this case, the subject of the work, as the title indicates, explicitly draws on the work of Giorgio De Chirico and his classicist references.

Each work by Giovan Francesco Gonzaga is a testament to the Milanese artist's extensive research into the figure of the horse throughout his career, as well as his study of equestrian groups. A fundamental constant in his work is drawing, through which he achieves a complex synergy of composition and dynamism. The result he seeks to achieve is always the same: the expression of dynamic energy, unleashed by the horse's unstoppable strength. This dynamism is enhanced by a highly pictorial quality, which complements the highly technical drawing. Gonzaga's paint strokes, like the noble steed, are swift and charged with energy, seeming to shape the figure, almost deform it, in an expressionistic manner, to suggest the vigor of its movement.

Giovan Francesco Gonzaga, born in Milan in 1921 and passed away in 2007, traces his origins to a younger branch of the Mantuan family. A primarily figurative painter, he dedicated much of his career to the study and research of equestrian subjects. Gonzaga's aim was to convey the nobility of both the horse and the rider, as well as their dynamic momentum and energy. For this reason, he interpreted his figurative style with more expressionistic elements.

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