Giovan Francesco Gonzaga - The Hunter of the Guard

The subject of the equestrian monument, or the man on horseback, has very ancient origins. It dates back to the classical world, the earliest example of which is the "Knight of Rampin," and it had a fundamental political importance for Roman art. Generally, these are sculptures in the round, but there are also cases where this subject appears on painted supports. The theme of the man on horseback has pervaded the entire history of art, not only Western art, and has become a subject of research for contemporary artists such as Marino Marini, Arturo Martini, and Aligi Sassu. The painter Giovan Francesco Gonzaga focused his research precisely on the equestrian theme. In his production, both pictorial and graphic, he developed the figure of the man on horseback according to various historical influences and a variety of genre scenes.

Much of Giovan Francesco Gonzaga's work is a testament to the Milanese artist's extensive research into the figure of the horse throughout his career, as well as his study of equestrian groups. A fundamental constant in his work is drawing, through which he achieves a complex synergy of composition and dynamism. The result he seeks to achieve is always the same: the expression of dynamic energy, unleashed by the horse's unstoppable strength. This dynamism is enhanced by a highly pictorial quality, which complements the highly technical drawing. Gonzaga's paint strokes, like those of the noble steed, are swift and charged with energy, seeming to shape the figure, almost deform it, in an expressionistic manner, to suggest the vigor of its movement.

Giovan Francesco Gonzaga, born in Milan in 1921 and passed away in 2007, traces his origins to a younger branch of the Mantuan family. A primarily figurative painter, he dedicated much of his career to the study and research of equestrian subjects. Gonzaga's aim was to convey the nobility of both the horse and the rider, as well as their dynamic momentum and energy. For this reason, he interpreted his figurative style with more expressionistic elements.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.