Gisella Macaro - Composition

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Even in the still life genre, Gisella Macaro maintains a figurative style that adheres to reality. However, compared to landscape painting, where a lyrical sense, expressed through a predominantly impressionistic pictorial style, prevails, in still life the painter tends to emphasize the plastic qualities of the objects. For this reason, her style in this genre is less subject to overly accentuated pictorial effects. Drawing, therefore, prevails, delineating harmonious and regular volumes. The application of color, however, always remains dynamic, in this case identifying the effect of light on the objects and inserting them naturally into the space.

Gisella Macaro is an established and experienced artist. She creates figurative works (primarily portraits and landscapes) using a highly naturalistic artistic language. Her work always features a certain degree of idealization, due to her academic training.

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