Giuseppe Bosich - The Virgin of Nuremberg

Surrealist aesthetics emerged around the 1920s, encompassing all fields of artistic research. Specifically, in the visual arts, Surrealism sought to explore the human subconscious and translate it into artwork through a mechanical writing process based on dream analysis. Consequently, Surrealist artworks propose the representation of a dreamlike dimension, completely dissociated from reality. However, this representation often relies on a hyperrealistic formal rendering, precisely to paradoxically accentuate the illusory and ambiguous nature of the surreal dimension.

Giuseppe Bosich's graphic works are characterized by a pure, technically precise graphic line in the description of each subject. This allows the artist to depict every part of his invented creatures with great precision, despite the minimal representation, even reaching three-dimensionality. This is, in effect, the graphic counterpart to the hyperrealist style used by the Surrealists in their easel works.

Giuseppe Bosich is an artist originally from Tempio Pausania, where he was born in 1945, and lives and works in Ghilarza. His training was largely self-taught. In Milan, he attended the studio of the painter Dalla Vigna, where he became acquainted with the surrealist aesthetic through contacts with Modesti, Waldberg, and Henry. His research spans a wide variety of artistic techniques: in addition to painting and sculpture, he also engages in graphic design, a field in which he collaborates extensively.

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