Giuseppe Fiore - Untitled

The complex language of the artist Giuseppe Fiore, open to all types of experimentation, tends to be informal but does not completely reject figuration (in fact, the human body or face is often recognizable in his compositions). Instead, everything is placed in a context where the painter's gesture takes center stage, using a language with a strong hermeticism that confirms its belonging to an abstract-expressionist aesthetic.

As we can see in this painting, gesture is the absolute protagonist of Giuseppe Fiore's pictorial practice. His compositions define a dimension that escapes any spatial-temporal rule, so much so that it could be described as surreal. The images, even those attributable to a figurative language, become part of a system of pictorial signs that transfigure the artist's inner vision onto the work. Hence, the complexity of the pictorial layering, which, in his easel work, takes on a truly frenetic expressionistic fervor. The human figure, where discernible, is simultaneously deformed, elongated, and compressed. Its form is defined by a subtle, incised mark, while its substance is a dynamic, iridescent texture. The expressive languages ​​used by Fiore are countless and varied, as are the colors, giving rise to a complicated orchestration of dissonances.

Giuseppe Fiore, born in Benevento in 1964, a professor at the Art Institute and a longtime resident of Milan, loves to effortlessly narrate the emotions he experiences during his inner journeys. Using a unique painting technique, he captures these parallel worlds. The result is a light-hearted representation that invites contemplation. The careful use of color, the mastery and fluidity of his linework, and the pleasing interplay between solids, voids, and transparencies, all draw the eye into his works, easily entering their rarefied worlds. His figures and signs are thus compelling metaphors and allegories of these parallel worlds.

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