Giuseppe Migneco - The Bride

Social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso. Giuseppe Migneco also falls into this category, and his favorite subjects are precisely fishermen and farmers, depicted through his original and personal artistic language, which combines contemporaneity with an authentic and sincere description of a typical Sicilian reality.

Giuseppe Migneco's style, in line with the artistic program developed by the "Corrente" group, is inspired by an expressionist language. Migneco's synthesis is achieved through a very thick line that outlines the figures and accentuates their physiognomy. The characters in his works are, therefore, men or women of working-class backgrounds with very pronounced facial features. The extreme simplification of design, form, and space indicates, on the part of this painter, a conscious choice to bring the representation of reality back to primary values ​​of authenticity, such as those linked to the land and the rural or maritime world.

Giuseppe Migneco, born in Messina in 1903, died in Milan in 1997. In 1937, he was among the founders of the artistic group "Corrente," which brought together several artists united by the common goal of rejecting fascist conformism and opening up to European horizons. The aim was to propose an art with human, moral, and civil content. The entire group oriented itself toward a predominantly expressionist style.

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