William Malato - Untitled

Social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso.

This work is part of a series of drawings in which Guglielmo Malato adopts a synthetic, decidedly expressionist language. Formally, this translates into a summary rendering of the figures, using a very nervous and animated line. The drawing is energetic and dynamic, synthesizing the figures through a frenetic rhythm of broken lines. It's easy to see how these drawings are studies in which the artist's primary interest lies in the exaltation of formal values. However, it is precisely the excitement expressed by the refined interplay of lines that makes these drawings truly accomplished works.

Painter, sculptor, and ceramic decorator Guglielmo Malato was born in Pesaro in 1932, where he studied at the Ferruccio Mengaroni Art Institute. In 1950, after graduating from the city's Art School, he began working at the Molaroni artistic ceramics factory in Pesaro. In 1951, at the invitation of Giò Ponti, he exhibited 35 ceramics marked "Molaroni" at the 9th Milan Art Triennale, and that same year he participated in the 2nd Pesaro Ceramics Exhibition. In 1952, he moved to Lucca, where he taught ceramic decoration at the local Art Institute and enrolled at the Academy of Fine Arts in Florence, where he studied with Ottone Rosai. In 1958, he participated in the Modigliani Prize in Livorno. In 1960, he exhibited his work at the National Ceramics Exhibition in Lerici, and in 1962 he was a participant in the National Ceramics Award in Gubbio. In 1970, he held a solo exhibition at the Galleria Santa Croce in Lucca, and the following year at the Galleria Il Cannocchiale in Milan. In 1983, he received the honor of Cavaliere Ufficiale della Repubblica from President Pertini for artistic and educational merit. Some of his works are part of the collection of the Ceramics Museum in Faenza.

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