William Malato - Untitled

Social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso.

This work can be considered an excellent "artist's proof" in which Guglielmo Malato uses charcoal to an exemplary degree in his rendering of the human figure. Indeed, the composition achieves a highly expressionistic effect even through the simple formal means of graphic line and shading. A simple, loose, and sinuous stroke is all it takes for the artist to convey the fullness of the volumes onto the paper and enhance the figures with a sculptural quality. Once the sculptural structure has been effectively and concisely created, the artist can then intervene with glazes to ensure dynamism and movement. Thus, even in this minimal and concise rendering, the scene is vibrant with life and existence.

Painter, sculptor, and ceramic decorator Guglielmo Malato was born in Pesaro in 1932, where he studied at the Ferruccio Mengaroni Art Institute. In 1950, after graduating from the city's Art School, he began working at the Molaroni artistic ceramics factory in Pesaro. In 1951, at the invitation of Giò Ponti, he exhibited 35 ceramics marked "Molaroni" at the 9th Milan Art Triennale, and that same year he participated in the 2nd Pesaro Ceramics Exhibition. In 1952, he moved to Lucca, where he taught ceramic decoration at the local Art Institute and enrolled at the Academy of Fine Arts in Florence, where he studied with Ottone Rosai. In 1958, he participated in the Modigliani Prize in Livorno. In 1960, he exhibited his work at the National Ceramics Exhibition in Lerici, and in 1962 he was a participant in the National Ceramics Award in Gubbio. In 1970, he held a solo exhibition at the Galleria Santa Croce in Lucca, and the following year at the Galleria Il Cannocchiale in Milan. In 1983, he received the honor of Cavaliere Ufficiale della Repubblica from President Pertini for artistic and educational merit. Some of his works are part of the collection of the Ceramics Museum in Faenza.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.