William Malato - Untitled

The subject of the equestrian monument, or the man on horseback, has very ancient origins. It dates back to the classical world, the earliest example of which is the "Rampin Knight," and it had a fundamental political importance for Roman art. Generally, these are sculptures in the round, but there are also cases where this subject appears on painted supports. The theme of the man on horseback has pervaded the entire history of art, not only Western art, and has become a subject of research for contemporary artists such as Marino Marini, Arturo Martini, and Aligi Sassu.

This work is part of a series of drawings in which Guglielmo Malato adopts a synthetic, decidedly expressionist language. Formally, this translates into a summary rendering of the figures, using a very nervous and animated line. The drawing is energetic and dynamic, synthesizing the figures through a frenetic rhythm of broken lines. It's easy to see how these drawings are studies in which the artist's primary interest lies in the exaltation of formal values. However, it is precisely the excitement expressed by the refined interplay of lines that makes these drawings truly accomplished works.

Painter, sculptor, and ceramic decorator Guglielmo Malato was born in Pesaro in 1932, where he studied at the Ferruccio Mengaroni Art Institute. In 1950, after graduating from the city's Art School, he began working at the Molaroni artistic ceramics factory in Pesaro. In 1951, at the invitation of Giò Ponti, he exhibited 35 ceramics marked "Molaroni" at the 9th Milan Art Triennale, and in the same year he participated in the 2nd Pesaro Ceramics Exhibition. In 1952, he moved to Lucca, where he taught ceramic decoration at the local Art Institute and enrolled at the Academy of Fine Arts in Florence, where he studied with Ottone Rosai. In 1958, he participated in the Modigliani Prize in Livorno. In 1960, he exhibited his work at the National Ceramics Exhibition in Lerici, and in 1962 he was a participant in the National Ceramics Award in Gubbio. In 1970, he held a solo exhibition at the Galleria Santa Croce in Lucca, and the following year at the Galleria Il Cannocchiale in Milan. In 1983, he received the honor of Cavaliere Ufficiale della Repubblica from President Pertini for artistic and educational merit. Some of his works are part of the collection of the Ceramics Museum in Faenza.

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