Leonardo Dudreville - Strona and Toce

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has always been an artist's aspiration. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance, then with atmospheric rendering in the 16th century, up until the depiction of every single vibration of light on objects in Impressionism.

The painting is part of a series of small oil paintings on plywood in which Leonardo Dudreville, one of the leading proponents of the Novecento movement, distances himself from the exaltation of plasticity and a return to order in painting. Indeed, as we can see in this work, the subject is created with a rapid, extremely synthetic technique, almost like a watercolor. All the various elements are constructed exclusively through color with a few quick brushstrokes. The result is a representation charged with freshness and immediacy.

Leonardo Dudreville was born in Venice in 1885 and died in Ghiffa in 1976. He was one of the initiators and most important exponents of the Novecento movement. He trained at the Brera Academy, where he came into contact with the Divisionist movement. Around the 1910s, he became interested in Futurism through his association with Umberto Boccioni. In 1919, he finally decided to return to classical and hyperrealist figuration, joining Margherita Sarfatti's group. In 1922, he was among the founders of the Novecento movement.

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