Lorenzo Tornabuoni - Untitled
Lorenzo Tornabuoni - Untitled
SKU:APER002
Oil, 20x32
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Characteristics
Characteristics
Stato di conservazione: Optimal
Formato: Small (under 40cm)
Orientamento: Vertical
Supporto: Paper/cardboard
Soggetto: Marina
Stile: Figurative
Description of the work
Description of the work
The human figure has always been at the center of artistic research. Since the classical age, the naturalistic rendering of human anatomy has been a primary goal of painters and sculptors throughout history. The representation of the nude is the ultimate expression of this aspiration, pervasive across all eras and stylistic trends. Indeed, in addition to the naturalistic interpretations of the Renaissance and various classicisms, which aimed for a truthful and detailed representation of the human body, the nude has also been a central theme in the new aesthetic concepts brought about by the historical avant-garde movements, such as Cubism, Expressionism, and Surrealism.
The human figure is always central to Lorenzo Tornabuoni's artistic production. His interpretation, however, always tends toward a refined aesthetic. This aesthetic is constructed with anti-naturalistic constraints, exerted with the aim of heightening the figure's expressionism. Thus, as we can see in this work, the human body, for Tornabuoni, becomes almost a cocoon, a pure form to be molded, with little characterization in its physical and aesthetic details. Its aesthetic value is therefore to be found in the elegance of its contours and in the painterly quality (a constant in Tornabuoni) that enlivens its surface with transparent glazes. Consequently, the color palette is always complex, constructed with often exaggerated hues.
A Roman artist born in 1934, Lorenzo Tornabuoni's artistic career began in the 1960s, exhibiting in various galleries. In Rome, he exhibited at the Galleria Giulia and the Galleria Gabbiano, then at the Galleria Forni in Bologna. Lorenzo Tornabuoni participated in numerous art exhibitions, including the Michetti Painting Prize in Francavilla a Mare in 1966, Tempo dell'Immagine in Bologna in 1967, the Fourth Biennial of Bolzano in 1971, and the 10th Quadriennale d'Arte in Rome in 1973. His paintings have also been exhibited in several group shows abroad. He has collaborated with writers and journalists, illustrating their texts.
Shipping and returns
Shipping and returns
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