Luigi Billy Malaman - Start of training

A noble animal, a symbol of beauty and harmony, the horse has repeatedly been a prominent subject in the history of art. Since the fourteenth century, its presence has always been obligatory in battle scenes and equestrian monuments, and painters have always found it a challenge to depict it with anatomical precision and naturalistic rendering.

Billy Malaman's depictions of animals and Native American-inspired characters are based on a consciously simplified language, aimed at reclaiming simplicity and purity while still maintaining high aesthetic values. For this reason, his style can be described as a kind of naïve, combining simplification with a refined use of color. The subjects, therefore, undergo a process of abstraction, conducted along essential lines yet maintaining a perfect overall balance of the composition's volumes. This rigor, however, is broken by the painter's palette, made up of bright, luminous colors.

His great-grandparents, of French origin, were avid travelers from birth, even to the point of being born on a state railway carriage traveling between Modane and Bardonecchia on a cold day in 1939. It seems that from these origins he inherited a love of travel and new experiences. Luigi Billy Malaman began painting at a very young age on cardboard and canvas, later moving on to painting, particularly on tanned hides stretched over wooden supports. Self-taught, he expresses in a personal and vigorous way, through cheerful and vibrant colors, the vitality of his fast horses, the grit of the wild beasts caring for their young with love, yet with arrogance and character. He also leaves room for landscapes captured by warm brushstrokes and expressive strokes that open the heart to adventure.

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