M. Belli - Parisian Landau

The subject of the urban landscape is already present in the Middle Ages and
Modern, but predominantly idealized. Scenes of city life became typical themes with a more realistic interpretation only starting in the 19th century. This type of subject, and specifically the city of Paris, consistently reflects the inclinations of the painter M. Belli, whose artistic career is closely linked to Impressionism. Urban landscapes and scenes of city life, in fact, are typical themes of that pictorial movement, which was born and developed in the French capital. It is worth remembering that immediately following the realist movements of the 19th century, the Impressionists placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the aspects of modernity represented by the urban landscape: the frenzy of the city, the crowds, the traffic, and the typically bourgeois settings. Throughout his career, the artist M. Belli has drawn upon this aesthetic, even in the stylistic register he adopted.

The painting is a typical example of M. Belli's oeuvre and was created with a remarkable Impressionist technique. The artist uses rapid, hatched brushstrokes to quickly delineate shapes and volumes. This allows him to capture, with every single brushstroke, the effects of light and atmosphere on objects, and to instantly convey a city scene with precise weather and environmental conditions onto the canvas. The entire color palette, from the street to the sky, is designed to reflect the precise atmospheric conditions being depicted. As with the Impressionists, the perspective grid is not eliminated; spatial depth is determined exclusively through color gradations. Delving into a more specifically formal analysis, we can appreciate the contemporary reworking of the Impressionist tradition: the advance of the crowd, in an orderly line, introduces a small metaphysical vein, typical of Belli's urban views. This suggestion is corroborated by the artist's touch, which creates the subjects as trembling visions, reverberated by the reflections of the wet road surface.

As we can see from the analysis of this painting, the artist Belli, like some of his illustrious contemporaries such as Giulio De Simone or Antonio De Vity, directly connects to the Impressionist tradition of modern and frenetic urban views.

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