LUCARINI - Untitled (marine)

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a constant aspiration for painters. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the 16th century; up until the depiction of every single vibration of light on objects in Impressionism. The "seascape" in particular is a recurring theme among artists. First, for the lyricism implicit in views overlooking the sea or in romantic images of small harbors. Second, because the depiction of aquatic surfaces allows painters to give free rein to their chromatic flair, thanks to refined interplays of reflections and reverberations.

For the artist LUCARINI, depicting landscape means achieving, through painting, a delicate fusion between naturalistic rendering and poetry. Indeed, his views, in which he employs a purely figurative language, remain rooted in sensory data. Yet reality seems transfigured into a lyrical interpretation that almost transports it into a dreamlike dimension. Formally, all this translates into a highly delicate pictorial style where reality is represented in a rarefied manner. This means that the capture of realistic details and particulars is lost in favor of a more expressionistic and symbolic language. Lucarini's refined pictorial touch, which subtly synthesizes objects, plays a key role in this process, as does a complex construction of pictorial space, not univocal but based on diverse directional lines and multiple viewpoints. And so the color range is also distinguished by a very delicate anti-naturalistic tendency whereby the immersion in white and the exaltation of pinks and violets translates the artist's poetic sensibility and his almost dreamlike interpretation of the sea.

M. Lucarini is a figurative painter who, through extensive research, has developed his own coherent and original language. His representations draw on reality, but through a delicate, symbolist pictorial conception, nature is transfigured into a poetic dreamlike dimension.

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