Marcello Piacentini - Untitled

Social themes in art began to gain prominence in the mid-19th century, coinciding with the spread of social questions throughout European societies. The work of painters such as Millet and Daumier, for example, favored subjects related to life in the fields, factory work, or strikes. In Italy, among the first painters to engage deeply with social themes were Pellizza da Volpedo and, in the contemporary era, Renato Guttuso. Marcello Piacentini also followed this trend, and his favorite subjects were fishermen and farmers, depicted through his original and personal artistic language, which combines contemporaneity with an authentic and sincere description of a typical Sicilian reality.

Marcello Piacentini's artistic production fits perfectly into a pictorial movement that combines realist themes with a predominantly expressionist language. Indeed, if the subject matter is the world of work and the working classes, the style calls for a synthetic interpretation of reality. In a two-dimensional space, everything is simplified to transfigure reality in an expressive and symbolic sense. The painter moves beyond the particular to arrive at an iconic representation with universal characteristics. The process of abstraction, therefore, is conducted by the painter to extract the essence from sensory data. The subject matter is thus resolved with a pointillist style, consisting of long strokes. The surface is configured as a polychrome mosaic of bright, luminous colors. In this way, Piacentini creates an image charged with primary, immutable values, thanks to its expressive simplicity and chromatic strength. The deliberately rough strokes have a distinct rural feel and predispose to a strong connection with the land. From this point of view, Marcello Piacentini's certain inspiration from Van Gogh's art is evident.

As we can see from an analysis of his works, Sicilian artist Marcello Piacentini stands out for his pictorial production inspired by the values ​​of peasant labor. The agricultural world of the countryside is depicted in his works using a language drawing on Expressionism and Symbolism, with an abstract, pointillist approach to color.

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