Marco Frosini - Landscape

The urban landscape was already a popular subject in the Middle Ages and the Modern Era, but predominantly in an idealized manner. Scenes of city life became typical themes with a more realistic interpretation starting in the 19th century. It's worth remembering that immediately following the realist movements of the 19th century, the Impressionists also placed great emphasis on the everyday, on everyday life, with a certain predilection, however, for the frenetic pace of the city, its crowds, traffic, and typically bourgeois settings. In the present work, however, the quotidian aspect prevails, the frank and sincere realism of everyday life in a city setting.

Marco Frosini's pictorial language is strongly linked, as we can see in many of his works, to a conception of realist art, deeply rooted in the purest essence of things when he depicts simple objects or views of small villages. This is reflected not only in his choice of subject but also in his interpretation. Frosini's style, in fact, is based on a lived-in pictorial style, charged with existential vibrations that imbue the representation with a strong emotional charge. The thick, broad brushstrokes have a decidedly structural function in synthesizing objects with a purist and realist spirit. All that is superfluous is eliminated, and what remains is the form and very life of the subjects, expressed through color and an expressionistic touch. Finally, Marco Frosini's characteristic ability is to construct the image in a balance based on a chromatic palette of browns and warm tones.

The painter Marco Frosini is an artist who can essentially be defined as belonging to the realist school. His favorite subjects are humble people or simple still lifes. Formally, he is a painter who draws on a post-impressionist or expressionist tradition in his complex pictorial construction of the image.

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