Maria Paola Remondini - Untitled

Animal portraits in art have ancient origins, even appearing in primitive cave paintings. For religious reasons, various types of animals appear in the works of various ancient civilizations. It was especially in the Middle Ages, within the International Gothic style, that animal depictions became widespread as true life portraits, both within works of art and in notebooks of drawings and sketches. The presence of animals as subjects in art remained constant until the contemporary era.

In the depiction of this view with seagulls, we can appreciate how Maria Paola Remondini has developed a highly distinctive and recognizable style. In this painting, the representation of tangible reality is transfigured into a reconstruction of the world according to geometric and rational principles. There is therefore a certain adherence to the mechanomorphism of the Cubists and Futurists, which Maria Paola Remondini, however, combines with a more lyrical and magical sense of Nature. Thus, this view becomes a composition of nuanced shapes and colors, along rational yet almost imperceptible lines, in which sunlight and its refraction provide the geometrical structure.

Maria Paola Remondini was born in Nogara in 1933. She trained among the Venetian Chiaristi and the Burano school, and through her paintings she conveys a sweet melancholy full of ancient impressions, linked to a bucolic world lost and then rediscovered in the inner sphere of memory.

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