Maria Teresa Vittoriano - Mimosa

Flowers as a subject in themselves began to appear in still lifes, a genre that emerged in the early 17th century. Subsequently, painters, especially the Impressionists, increasingly focused on the floral world as an extraordinary opportunity to capture vibrant colors and light. Thus, flowers began to appear not only in vases, but also immersed in their natural landscape. While initially a pretext for painters to attempt a photographic reproduction of reality, with contemporary art, the subject of flowers also becomes a way of interpreting reality.

Painter Maria Teresa Vittoriano's interpretation of the vase of flowers is resolved through a decisive process of simplification of the subject. There is a remarkable synthesis of sensory data that empties the objects of their volume, transforming them into pure perceptual vibrations. Thus, the artist constructs the vase with light glazes and reflections of light. Then, the impressionistic application of color completes the work, making everything within the composition extremely dynamic and light. The colors are quite bright, ideal for capturing the intense chromatic vibrations of the flowers and the vivid reflections of light on the vase's glossy surface.

Maria Teresa Vittoriano was born in Turin in 1951. Her artistic production is highly eclectic: focused on traditional genres such as landscape and still life, this artist's language shows a continuous tension between abstract and figurative.

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