Mario Anselmi - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism. In Mario Anslemi's paintings, landscape is the absolute protagonist in an original expressionist/symbolist interpretation.

In his work, Mario Anselmi creates landscapes with fascinating symbolic connotations. For this reason, he relies on a style of painting grounded in the expressive qualities of color, which leads him to a high level of abstraction of phenomenal reality. The composition is resolved through bands of color where light blends with shadow, transfiguring the landscape view. Reality appears like a dreamlike vision, in which even the colors do not reflect nature but take on spiritual connotations. Indeed, the space is always immersed in a hue of red, blue, or pink, depending on the emotional state the artist wishes to express. From a strictly formal perspective, Anselmi uses a light brushstroke, composed of vaporous hues, which almost dematerializes the objects, relegating them to the symbolic dimension of sentiment and memory.

As we can see from the analysis of this work, in Mario Anselmi's pictorial production the landscape is the absolute protagonist in an original expressionist/symbolist interpretation.

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