Mario Bergamaschi - Untitled

Portraiture is one of the most widespread artistic expressions, especially in painting, but also in sculpture, throughout the ages. Portraiture is, first and foremost, a description of the subject depicted, an attempt to capture their physiognomy and individual characteristics truthfully and naturally. With the progressive evolution of artistic research, the physiognomic description of the subject has also been accompanied by a psychological one. Therefore, over the centuries, portraiture has also become a means of introspective investigation of the subject, their character, and their state of mind. The processes of abstraction brought about by contemporary art have contributed to this type of investigation.

Mario Bergamaschi's style is distinguished by a celebration of the expressive potential of pictorial application. He remains deeply rooted in faithfully capturing the subject's sensory details, yet his interpretation tends toward expressionism. Bergamaschi's expressionism is expressed through a reduction of the subject's contingent details, seeking its true essence through pictorial application. His portraits, in fact, lose their physiognomic references, and the objects in his still lifes become pure form. What matters are the emotional and spiritual vibrations the artist transfers to the canvas. Bergamaschi's application of color is extremely elaborate, dense with pictorial matter, sculpting iconic forms with complex meanings.

The artist Mario Bergamaschi, as we can see from an analysis of his works, stands out for a pictorial style that tends to reduce the rendering of sensory data in favor of the expressive potential of color and pictorial layering.

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