Mario Dalla Fini - Composition

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

For Mario Dalla Fini, depicting landscape means achieving, through painting, a delicate fusion between naturalistic rendering and poetry. Indeed, his views, in which he employs a purely figurative language, remain rooted in sensory data. Yet reality seems transfigured into a lyrical interpretation that almost transports it into a dreamlike dimension. Formally, all this translates into a highly delicate pictorial style where reality is represented in a rarefied manner. This means that the capture of realistic details and particulars is lost in favor of a more expressionistic and symbolic language. Dalla Fini's refined pictorial touch, which subtly synthesizes objects, plays a key role in this process. Thus, the color palette is also distinguished by a delicate anti-naturalistic tendency, whereby immersion in a mist with iridescent reflections conveys the artist's poetic sensibility and his almost dreamlike interpretation of the landscape.

Mario Dalla Fini, born in Badia Polesine, 1935–2021, attended the Cignaroli Academy of Fine Arts in Verona under the guidance of Professor Antonio Nardi. Throughout his career as a painter and sculptor, Dalla Fini refined his artistic research, dedicating himself to the use of humble materials such as wood and stone, creating masterpieces. He also created carved wood sculptures.

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