Mario Pinizzotto - Untitled

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a constant aspiration for painters. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the 16th century; up until the depiction of every single vibration of light on objects in Impressionism. The "seascape" in particular is a recurring theme among artists. First, for the lyricism implicit in views overlooking the sea or in romantic images of small harbors. Second, because the depiction of aquatic surfaces allows painters to give free rein to their chromatic flair, thanks to refined interplays of reflections and reverberations.

This work is a prime example of the style of Roman painter Mario Pinizzotto. His distinctive characteristic is constructing the composition's framework with a thin, black line. This clean line makes the subjects vibrant and, at the same time, highlights their volumes in a highly distinctive way. The painter distributes color across this framework, consistently using bright, luminous, almost fluorescent hues. With these formal means, Pinizzotto manages to create his magical, unreal atmospheres, always illuminated by a giant red moon.

Mario Pinizzotto was born in Rome in 1929. He trained in Paris, where he attended the Academy of Fine Arts. He was assistant set designer at the Stadttheater in Zurich and artistic director at Art Studios ADAG in Lugano. He participated in the National Exhibition at the Palazzo Reale in Milan and in the Quadrennial Exhibitions in Rome (1964) and London (1968). His works are included in major collections around the world, including the Church of San Pietro in Taverna in the Canton of Ticino, the Museum of Modern Art in Rome, and the collections of Harry Iwarsson Lindinge (Sweden), Tartaglia Arte (Rome), and Verena Ruegg (Zurich), among others.

The transaction takes place with maximum security for both the seller and the buyer. We take care of the conformity (provenance, authenticity, state of conservation) of the work and handle the shipping.
Returns are possible no later than 14 days after receiving the order.