Maurizio Trentin - From retro=verso feminism

The manner in which the subject was depicted draws on hyperrealist currents. Hyperrealism aims for a completely objective representation of reality: the artist's desire is to reproduce what he sees without any interpretation. In this sense, the hyperrealist aesthetic also constitutes a paradox, often consciously sought by artists. Indeed, thanks also to the use of very aggressive techniques, inspired by the world of advertising, and the use of bright color palettes, a rendering of the naturalistic element is achieved that is so pure as to appear illusory, deliberately fake.

Maurizio Trentin possesses a remarkable technique that allows him to achieve a fully naturalistic rendering. Trentin's poetics is essentially an objective reproduction of reality, without interpretation, which, from a formal perspective, translates to photographic accuracy. However, despite this objectivity, Trentin introduces elements into his artistic language that personalize and enhance his vision. He always adopts a very compact formal quality, overlaid with brilliant colors. Maurizio Trentin's control of light, in particular, is meticulously studied. The painter, always relying on his extremely controlled touch, ensures that the light reflects on the subject without scratching it, reverberating in luminescent flashes.

Maurizio Trentin was born in Venice in 1948, where he still lives and works. Since 1970, he has participated in various exhibitions, including in public institutions and museums. He has collaborated with the Bevilacqua La Masa Foundation for many years. He has been a member of the World Print Council of San Francisco since 1990 and of the Interart Group since 1992. Through the Madison Gallery in Sydney, he has participated in numerous international exhibitions. His works are held in modern art museums, private collections, and art galleries in major cities in Europe and the United States.

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