Michele Dixitdomino - Salina towards Trapani

Landscape has always been a central theme in artistic research, both as a setting, as a backdrop, and as a subject itself. The naturalistic depiction of landscape has been a major aspiration for artists of every era. Each historical period has offered its own interpretation of landscape, contributing to the evolution of its depiction: first with an exploration of space, through Brunelleschi's perspective in the early Renaissance; then with atmospheric rendering in the sixteenth century; and finally with the depiction of every single vibration of light on objects in Impressionism.

The work highlights Michele Dixitdomino's post-Impressionist maturity. The composition is compressed entirely into the foreground, allowing no spatial depth. The painter's aim is not to capture the sensory aspect of the landscape, but to capture its very essence, its substance. To this end, the brushstroke, rich in texture, intervenes, fleshing out the objects, breaking them down into different planes, recording the vibrations of light and life within them. The sensory aspect, therefore, is completely transcended in a complex conception of pictorial practice in which the artist's gestures themselves play a fundamental role. In Michele Dixitdomino's landscape paintings, the objects are constructed by the painter with broad, dense brushstrokes, and the houses are structured according to geometric principles inspired by Cézanne. Chromatically, the entire surface of the work is coordinated with a balanced palette of references and correspondences.

Born in Palermo in 1908, Michele Dixitdomino (Dixit) began exhibiting in 1931 after graduating from the Academy of Fine Arts in Palermo; after 1932 he participated in all the Trade Union Exhibitions and in 1942 in the XXII Venice Biennale; he taught at the Academy of Palermo from 1937 to 1977. His works can be found, among other places: in Palermo, at the Fondazione Banco di Sicilia and the Civic Gallery of Modern Art ''Empedocle Restivo''; in Bagheria, at the Galleria di Villa Cattolica and the Ezio Pagano Museum; and then again, at the Painting Exhibitions of Marsala, the Pinacoteca of Mazara del Vallo and the Gallery of Modern Art of Latina.

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