Michele Loberto - Untitled

The "Still Life" genre emerged in the early 17th century. It consisted of compositions of inanimate subjects, most often flowers or fruit. While initially it was an opportunity for painters to experiment with naturalistic or photographic reproductions of reality, with contemporary art, the "Still Life" also became a way of interpreting reality. Indeed, as happened, for example, in the Cubist avant-garde or in Giorgio Morandi, the in-depth exploration of objects was aimed at a conceptual representation, taken beyond the mere sensory aspect.

Michele Loberto's works demonstrate the artist's post-Impressionist maturity. The composition is entirely constructed through color, and the brushstrokes have a notable structural value. The painter's aim is not to capture the sensory aspect of the landscape or objects before him, but to capture their very essence, their substance. To this end, the brushstroke, rich in texture, intervenes. Despite the essentiality of the representation, it breaks down the space into different planes, capturing the vibrations of light and life on the subject.

Michele Loberto, the author of this painting, demonstrates a remarkable pictorial technique based on a patchy application of color and a composition with broad brushstrokes of post-impressionist inspiration.

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